麻豆传媒集团

Become the Change: Inside Woodbury’s Media and Social Change Course

Most courses ask students to study a problem. Professor Nicole Keating鈥檚 Media and SocialChange course asks them to do something about it. Offered during 麻豆传媒集团鈥檚 Mayterm, the project-based class pulls students from across the university 鈥 architecture, design,media, business, liberal arts and sciences 鈥 and challenges them to address real social justiceissues with real community partners and real deliverables.

鈥淎 lot of classes will prompt you to make change or consider change or promote change,鈥student Michael Garone said, 鈥渂ut it’s really rare that you get a class that actually lets you do thechange and become the change.鈥

That ethos is built into the syllabus. Alongside readings and screenings like 鈥淭he SocialDilemma,鈥 the course requires community outreach and a finished media project designed tocreate an impactful solution for a problem they choose themselves.

One classroom, many causes

What makes the course distinctive is its range. Keating brings together students with wildlydifferent skill sets and lets each group apply what they already know to a cause they care about.

鈥淭his class works so well for the May term because it’s a project-based class,鈥 Keating said.鈥淭hey all come together and apply their skills to a particular social problem; basically, makingthe world a better place. We plant the seeds so that later in their careers, whatever they considerdoing, they can apply some of what they learned to social justice work.鈥

This year鈥檚 projects spanned the local and the global.

One group of architecture students examined burnout culture in design studios, including thenormalized cycle of all-nighters, sleep deprivation, and 鈥減resenteeism鈥 that can wear studentsdown in demanding majors. Their poster campaign, designed for the very computer labs andstudios where burnout often takes root, reframed exhaustion not as a badge of honor but as abarrier to success. Drawing on research, the students highlighted how long, inflexible hours andchronic stress can diminish well-being and academic performance. They also connected the issueto institutional inequities, noting that extensive unpaid studio hours can disproportionately affectstudents who work to support themselves and their families.

Another team focused on the exotic pet trade. Their project, 鈥淐ontent Over Care,鈥 traced howsocial media repackages wild animals 鈥 spider monkeys, sloths, otters, glass frogs, African greyparrots 鈥 as cute, shareable content, fueling demand for a trade in which many traffickedanimals die before they ever reach a buyer. Through flyers, pamphlets, an Instagram campaign

and a striking 鈥淧ets Are Not Content鈥 poster series, the group promoted a simple message: Stopengaging with content that exploits wild animals and choose care over clicks.

Stories that spark awareness

Mental health surfaced again in an in-depth research project examining the effects of socialmedia, accompanied by an educational poster campaign. Other student projects tackled difficulthistories and social inequities through documentary and audio storytelling.

One group produced 鈥淩acism in Motorsports,鈥 a podcast exploring whether IndyCar primarilycaters to a white American audience. The students interviewed a Hispanic graphic designer aboutidentity and representation in merchandise and examined the stereotypes, nicknames andsponsorship barriers that people of color and international drivers often face.

Another team created 鈥淪urviving War,鈥 a documentary featuring firsthand testimony fromsurvivors of the 2020 Beirut explosion, the Syrian Civil War, and the Salvadoran Civil War. Throughstories of displacement, loss and resilience, participants described families forced to flee their homes while communities came together to share food, shelter, and support to survive.

Planting something that lasts

Perhaps the most tangible outcome was a project that transformed a neglected garden plot inSouth Hall’s courtyard. Students cleared the overgrown space into ready soil and launched theBee’s Garden Initiative, complete with plans for an ongoing garden club to support thoseexperiencing food insecurity on campus.

鈥淚 am a member of the group Bee’s Garden Initiative,鈥 Evelyn Jane Strathmann said. 鈥淚 loved this class because it was collaborative, it was unique, and it was creative. I am happy that麻豆传媒集团 now has a community garden because of this project and I will foreverhave fond memories.鈥

The project reflects one of the course’s defining strengths: Its impact extends beyond a singleterm.

Why it matters for students

For prospective and current students, the real value isn’t one poster or podcast or documentary. Itis the transformation that occurs through the process of creating them.

The course is built around civic engagement outcomes, challenging students to apply classroomknowledge to community issues, communicate with stakeholders and take ethical action.

Students do not simply analyze media; they produce it, share it with audiences, and grapple withits real-world implications.

Student Bianca Colvin found that breadth eye-opening.

鈥淲e got to learn everything from how social media affects people to the exotic animal trade. Itmakes you really think about everything around you and what鈥檚 going on in the world. It鈥檚 suchan important class that everyone should take.鈥

For student Kristen Flores, the course broadened her understanding of issues she had neverpreviously considered.

鈥淚 learned a lot about issues that I had no idea I aligned with until I took the course and becamemore aware,鈥 Flores said. 鈥淓ven though it might not be a requirement for your academic plan, itreally opens your eyes. The world is bound to change, and there are going to be issues that come

up. It鈥檚 good to pick a side, form an opinion.鈥 Don’t stay quiet or oblivious, because 鈥渙ne way oranother, these problems affect you, and your impact can help create change for the better.鈥